Chicago Shakespeare Festival
February 22 – March 22, 2014
Director: David H. Bell
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A magical forest filled with a host of some of Shakespeare’s most comedic characters make A Midsummer Night’s Dream one of his most popular plays. CST’s 75-minute abridged Short Shakespeare! production serves as an ideal introduction to the Bard—for audiences of all ages. When lovers cross with mischievous sprites in an enchanted forest, a series of mishaps occur and nothing is what it seems. Add to the mix a bevy of fumbling actors and chaos breaks loose until dawn breaks and all is once again right with the world. After the performance, the actors remain on stage for a brief question-and-answer session. Then join the audience in the Lobby for one-on-one conversations and photo opportunities.
Chicago Shakespeare Festival
March 13 – May 4, 2014
Directed by Gary Griffin
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Associate Artistic Director Gary Griffin brings you not one, but two musicals, Gypsy and Road Show, that feature the extraordinary talents of Stephen Sondheim—both inspired by real stories of ambitious Americans in pursuit of their dreams. Based on the lives of the boldly enterprising brothers Addison and Wilson Mizner, the musical journey of Road Show spans forty years—from the Alaskan Gold Rush to the Florida real estate boom in the 1930s. Traversing the continent in a variety of get-rich-quick schemes, the brothers stick together through experiences that change their lives in unexpected ways.
KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.
Chicago Shakespeare Festival
March 30 – April 13, 2014
Adaptor/Director: Emma Rice
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Lauded all around the world for its trademark vitality, the artistic collective from Cornwall, England, Kneehigh makes its long-awaited Chicago debut with the iconic work that first catapulted the company to international fame. Marrying gorgeous music and ingenious staging with cheeky humor and Wagnerian intensity, Kneehigh now reimagines one of the world’s oldest love stories. Cornish King Mark is at war; he rules with his head, not his heart. But he hasn’t counted on falling head over heels for his enemy’s sister, or expected the arrival of the enigmatic Tristan.
Chicago Shakespeare Festival
April 29 – June 15, 2014
Director: Christopher Luscombe
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“Once more unto the breach, dear friends, once more!” In a rousing finale to the 2014 season, Shakespeare’s powerful history play takes center stage in our magnificent Courtyard Theater for the very first time. Acclaimed British director Christopher Luscombe, whose work has been featured at the Royal Shakespeare Company, sheds new light on the Bard’s legendary coming-of-age story. Against all odds, a charismatic young monarch confronted by the ferocity of war proves his worth as a man—and king. Henry V is Shakespeare’s rallying cry, celebrating the power of language to summon battlefields from thin air and ignite our souls to action.
THE KILLER – Theater For A New Audience, Brooklyn, NC
By Eugène Ionesco
Newly Translated: Michael Feingold
Direction: Darko Tresnjak
Featuring Michael Shannon
May 17-June 29, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]A searing and darkly funny parable about violence and resistance, Ionesco’s The Killer premiered in Paris in 1959 and has become a modern classic of the Theatre of the Absurd. Berenger, Ionesco’s cheerful, well-meaning everyman, discovers a “radiant city” near his dismal urban home, a perpetually sunny, impeccably clean place full of marvelous architecture and delicious food. The one hitch: a serial murderer has been brazenly killing people there for so long that the authorities have given up trying to catch him.
Oscar nominee (Revolutionary Road) Michael Shannon plays Berenger. Our production will bring out the humor and taut film noir aura of this work, underscoring the cinematic allure of the murders, the futile chase, the bungled investigation and the climactic confrontation with the criminal. The exquisitely simple approach will spotlight powerful, precise acting and spare, sculptural design.