Folger Theatre
April 17 – May 25, 2014
Directed by Ben Steinfeld and Jessie Austrian
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April 29 – June 15, 2014
Director: Christopher Luscombe
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“Once more unto the breach, dear friends, once more!” In a rousing finale to the 2014 season, Shakespeare’s powerful history play takes center stage in our magnificent Courtyard Theater for the very first time. Acclaimed British director Christopher Luscombe, whose work has been featured at the Royal Shakespeare Company, sheds new light on the Bard’s legendary coming-of-age story. Against all odds, a charismatic young monarch confronted by the ferocity of war proves his worth as a man—and king. Henry V is Shakespeare’s rallying cry, celebrating the power of language to summon battlefields from thin air and ignite our souls to action.
Folger Theatre
May 28 – June 1, 2014
Directed by Noah Brody and Ben Steinfeld
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Richard III
- June 3 – October 10, 2014
- Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
- By William Shakespeare | Directed by James Bundy
Bad to the Bone
The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.
Oregon Shakespeare Festival
June 5 – October 12, 2014
Directed by Sarah Rasmussen
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Is all really fair in love?
Young Proteus only has eyes for his hometown sweetheart, Julia. But on a trip to Milan, he gets one look at the lovely Silvia . . . and dumps Julia in a heartbeat. Two problems: Silvia is his best friend’s girl, and Julia won’t be dumped that easily. Stir in some bandits, an outraged father and a bad-mannered dog, and it’s friend versus friend in a wild tale of romantic rivals. This sumptuous production of Shakespeare’s early comedy—with twists that echo in his later plays—honors and mirrors Elizabethan tradition with an all-female cast.