Calendar

Shakespeare’s Globe Theater

5 – 10 May (performed in Gujarati)

When Bharatram (Bertram) flees his native Gujarat for Bombay, his mother’s ward Heli (Helena), desperately in love, decides to pursue him. But Bharatram feels differently, and attaches two obstructive conditions to their marriage – conditions he is sure will never be met.

20th-century India stands in for Renaissance France in this joyful, imaginative production of a play that reverses all the usual expectations of Shakespearean comedy.

Antony and Cleopatra

By William Shakespeare

Directed by Jonathan Munby

TWO LOVERS ARE BLOWN APART BY LOVE AND WAR

Cleopatra, the alluring and fascinatingly ambiguous Queen of Egypt, has bewitched the great Mark Antony, soldier, campaigner and now one of the three rulers of the Roman Empire. When Antony quarrels with his fellow leaders and throws in his lot with Cleopatra, his infatuation threatens to split the Empire in two.

Roman virtue and Eastern vice, transcendent love and realpolitik combine in Antony and Cleopatra, Shakespeare’s greatest exploration of the conflicting claims of sex and power, all expressed in a tragic poetry of breathtaking beauty and magnificence.

THE KILLER – Theater For A New Audience, Brooklyn, NC
By Eugène Ionesco
Newly Translated: Michael Feingold
Direction: Darko Tresnjak
Featuring Michael Shannon

May 17-June 29, 2014

A searing and darkly funny parable about violence and resistance, Ionesco’s The Killer premiered in Paris in 1959 and has become a modern classic of the Theatre of the Absurd. Berenger, Ionesco’s cheerful, well-meaning everyman, discovers a “radiant city” near his dismal urban home, a perpetually sunny, impeccably clean place full of marvelous architecture and delicious food. The one hitch: a serial murderer has been brazenly killing people there for so long that the authorities have given up trying to catch him.

Oscar nominee (Revolutionary Road) Michael Shannon plays Berenger. Our production will bring out the humor and taut film noir aura of this work, underscoring the cinematic allure of the murders, the futile chase, the bungled investigation and the climactic confrontation with the criminal. The exquisitely simple approach will spotlight powerful, precise acting and spare, sculptural design.

Julius Caesar

by William Shakespeare

Directed by Dominic Dromgoole

FRIENDS CLOSE, ENEMIES CLOSER

When Caesar returns to Rome from the wars a virtual dictator, Brutus and his republican friends resolve that his ambition must be curbed – which in Rome can mean only one thing: the great general must be assassinated. But once the deed is done, the idealistic conspirators must reckon with the forces of a new power bloc, led by Mark Antony and Caesar’s nephew Octavius. When their armies close at Philippi, will Caesar’s ghost be avenged?

Opposing dictatorship and republicanism, private virtue and mob violence, Shakespeare’s tense drama of high politics reveals the emotional currents that flow between men in power.

This production will employ Renaissance costumes and staging.

Shakespeare’s Globe Theater

From 6 August (touring UK and USA)

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Old King Lear, weary of royal duties, proposes to break up his kingdom and divide it among his three daughters. But this rash generosity is cruelly repaid and Lear discovers too late the false values by which he has lived – and, in turn, the suffering common to all humanity.

Its tempestuous poetry shot through with touches of humour and moments of heart-rending simplicity, King Lear is one of the deepest artistic explorations of the human condition.

The Comedy of Errors

By William Shakespeare

Directed by Blanche McIntyre

Take one pair of estranged twin brothers (both called Antipholus), and one pair of estranged twin servants (both called Dromio), keep them in ignorance of each other and throw them into a city with a reputation for sorcery, and you have all the ingredients for theatrical chaos. One Antipholus is astonished by his foreign hospitality; the other enraged by the hostility of his home town. The Dromios, caught between the two, are soundly beaten for obeying all the wrong orders.

Basing his plot on a farce by Plautus, Shakespeare caps the mayhem of his Roman original to build up a hectic tale of violent cross-purposes, furious slapstick and social nightmare.

This production will employ Renaissance costumes and staging.