Royal Shakespeare Company
23 September 2014 – 14 March 2015
Directed by Christopher Luscombe
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Set in the Summer of 1914, love and merriment ensue in Shakespeare’s sparkling comedy before the lives of the blissfully unaware lovers are about to be utterly transformed by the war to end all wars.
Royal Shakespeare Company
3 October 2014 – 14 March 2015
Directed by Christopher Luscombe
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Autumn 1918. Shakespeare’s comic romance plays out amidst the brittle high spirits of a post-war house party, as youthful passions run riot, lovers are deceived and happiness is threatened – before peace ultimately wins out.
Royal Shakespeare Company
23 October – 29 November 2014
Directed by Gregory Doran
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Elizabeth Sawyer is a lonely old woman. Ostracised and accused of being a witch. In her misery, she wishes that she really were bewitched and so able to wreak vengeance. Unluckily, someone with the power to grant that wish is listening.
Royal Shakespeare Company
29 November 2014 – 31 January 2015
Directed by Erica Whyman
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Christmas 1914, as the men of the Warwickshire Regiment shelter in their trenches, something astonishing happens. Across no-man’s land they hear music. German soldiers are singing carols.
Inspired by real events 100 years ago, Erica Whyman directs Phil Porter’s uplifting new play for families that celebrates a remarkable story.
Royal Shakespeare Company
11 December 2014 – 7 March 2015
Directed by Phillip Breen
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Rowland Lacy loves Rose Oatley but it’s not going to work out. An aristocrat and a middle class girl aren’t supposed to marry, not least because her parents really don’t approve.
Following his acclaimed RSC debut, The Merry Wives of Windsor (2012), Phillip Breen returns to direct Dekker’s glorious city comedy of class, conflict and cobblers in love.
Royal Shakespeare Company
15 January – 7 March 2015
Directed by Angus Jackson
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Tom Morton-Smith’s new play takes us to the heart of the Manhattan Project, exploring tensions between the scientific advances that shape our understanding of the fabric of the universe, and the justification of their use during wartime, revealing the personal cost of making history.
Directed by Angus Jackson whose recent credits include King Lear at Chichester Festival Theatre.