American Shakespeare Center
Now until April 6, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]Disguised lovers, tricky servants, and well-meaning parents cross and double-cross one another along the canals of Venice in Carlo Goldoni’s slapstick filled, comic gem. The characters’ search for a happy ending depends entirely on the titular servant Truffaldino, who is constantly on the lookout for a decent meal. Truffaldino’s attempt to double his wages unravels with delicious mayhem in this joyous, 18thcentury lark.
American Shakespeare Center
Now Until April 4, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]After wealthy Athenian Timon spends all his money entertaining, supporting, and bailing out his friends, he anticipates their help in his time of need. When his “friends” turn him down one-by-one, Timon transforms from Shakespeare’s most liberal spendthrift into his most tight-fisted misanthrope. A perfect play for our turbulent financial times, Timon of Athens makes us question the meaning of friendship, generosity, and gratitude.
Chicago Shakespeare Festival
March 13 – May 4, 2014
Directed by Gary Griffin
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Associate Artistic Director Gary Griffin brings you not one, but two musicals, Gypsy and Road Show, that feature the extraordinary talents of Stephen Sondheim—both inspired by real stories of ambitious Americans in pursuit of their dreams. Based on the lives of the boldly enterprising brothers Addison and Wilson Mizner, the musical journey of Road Show spans forty years—from the Alaskan Gold Rush to the Florida real estate boom in the 1930s. Traversing the continent in a variety of get-rich-quick schemes, the brothers stick together through experiences that change their lives in unexpected ways.
Chicago Shakespeare Festival
March 30 – April 13, 2014
Adaptor/Director: Emma Rice
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Lauded all around the world for its trademark vitality, the artistic collective from Cornwall, England, Kneehigh makes its long-awaited Chicago debut with the iconic work that first catapulted the company to international fame. Marrying gorgeous music and ingenious staging with cheeky humor and Wagnerian intensity, Kneehigh now reimagines one of the world’s oldest love stories. Cornish King Mark is at war; he rules with his head, not his heart. But he hasn’t counted on falling head over heels for his enemy’s sister, or expected the arrival of the enigmatic Tristan.
Hamlet – Globe to Globe – Shakespeare’s Globe, London – World Tour
by William Shakespeare
Directed by Dominic Dromgoole and Bill Bruckhurst
A TWO-YEAR TOUR TO EVER COUNTRY IN THE WORLD
Learning of his father’s death, Prince Hamlet comes home to find his uncle married to his mother and installed on the Danish throne. At night, the ghost of the old king demands that Hamlet avenge his ‘foul and most unnatural murder’.
Encompassing political intrigue and sexual obsession, philosophical reflection and violent action, tragic depth and wild humour, Hamlet is Shakespeare’s ‘poem unlimited’, a colossus in the story of the English language and the fullest expression of his genius.
Be at the start of a completely unprecedented theatrical adventure and help us launch this two-year worldwide tour of our pared-down, small-scale Hamlet, which will visit all 205 nations on earth.
Titus Andronicus
By William Shakespeare
Directed by Lucy Bailey
[button url=”https://tickets.shakespearesglobe.com/” target=”blank”]Buy Tickets[/button]BRUTALITY OF THE HIGHEST ORDER
Returning to Rome from a war against the Goths, the general Titus Andronicus brings with him the queen Tamora and her three sons as prisoners of war. Titus’ sacrifice of Tamora’s eldest son to appease the ghosts of his dead sons, and his decision to refuse to accept the title of emperor, initiates a terrible cycle of mutilation, rape and murder. And all the while, at the centre of the nightmare, there moves the villainous, self-delighting Aaron.
Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare’s early career, and is written with a ghoulish energy he was never to repeat elsewhere.
This production revisits Lucy Bailey’s spectacular Globe production of 2006.