KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.
Scrawny Cat Theatre
1st – 26th April 2014
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Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.
Who was he really? A dangerous tyrant or a dutiful king?
Who was the man found in the car park when all the stories are done?
Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.
Scrawny Cat Theatre
1st – 26th April 2014
[button url=”http://scrawnycat.co.uk/richard-iii/” target=”blank”]Buy Tickets[/button]
Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.
Who was he really? A dangerous tyrant or a dutiful king?
Who was the man found in the car park when all the stories are done?
Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.
Folger Theatre
April 17 – May 25, 2014
Directed by Ben Steinfeld and Jessie Austrian
[button url=”http://www.folger.edu/whatsontype.cfm?wotypeid=2″ target=”blank”]Buy Tickets[/button]Southwest Shakespeare Company
May 15 – June 1, 2014
Desert Botanical Garden
1201 N. Galvin Parkway, Phoenix, AZ
A new adaptation of Shakespeare’s immortal A Midsummer Night’s Dream in partnership with the Desert Botanical Garden.
This new vision will include bold visual elements, stunning costumes, lighting and stage magic designed to highlight the Garden. Two seating options are available: general admission and reserved bistro seating for four. If you would like reserved seating, let us seat you at a bistro table. Guests can purchase food & a full cash bar will be available.
THE KILLER – Theater For A New Audience, Brooklyn, NC
By Eugène Ionesco
Newly Translated: Michael Feingold
Direction: Darko Tresnjak
Featuring Michael Shannon
May 17-June 29, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]A searing and darkly funny parable about violence and resistance, Ionesco’s The Killer premiered in Paris in 1959 and has become a modern classic of the Theatre of the Absurd. Berenger, Ionesco’s cheerful, well-meaning everyman, discovers a “radiant city” near his dismal urban home, a perpetually sunny, impeccably clean place full of marvelous architecture and delicious food. The one hitch: a serial murderer has been brazenly killing people there for so long that the authorities have given up trying to catch him.
Oscar nominee (Revolutionary Road) Michael Shannon plays Berenger. Our production will bring out the humor and taut film noir aura of this work, underscoring the cinematic allure of the murders, the futile chase, the bungled investigation and the climactic confrontation with the criminal. The exquisitely simple approach will spotlight powerful, precise acting and spare, sculptural design.