Seattle Shakespeare Company

Oct. 23-Nov. 17, 2013

Directed by George Mount

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Everyone knows that Beatrice and Benedick were meant for each other…except these two sharp-tongued wits can’t see it themselves! Only the shared resolve of redeeming a young girl’s honor brings the warring pair together. Filled with eccentric clowns, heart-warming families, and troublesome rogues, this vibrant comic celebration of romance will have you cheering when love eventually wins out.

Seattle Shakespeare Company

Jan. 8-Feb. 2, 2014

Directed by Rosa Joshi

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This lyrical beginning to the War of the Roses is among the most moving of all of Shakespeare’s histories. More poet than monarch, Richard II is ill-suited to the role that lineage and legacy demands of him. Surrounded by ambitious men who would prey on his vulnerabilities, Richard is toppled from the throne by his cunning and capable cousin, Henry. But in the loss of his worldly power, Richard makes an unexpected revelation far more important than any kingdom.

American Shakespeare Center

Now Until April 3, 2014

To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats; country folk and lovers; and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.

American Shakespeare Center

Now Until April 5, 2014

In the bawdy, riotous tradition of all his city comedies, Ben Jonson’s Epicene explores love, sex, and trickery in Early Modern London. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. Take a suspiciously silent bride, all of Dauphine’s London cronies, and a deal that is simply too good to be true; and Morose, along with the audience, gets a wedding day he won’t soon forget.

American Shakespeare Center

Now until April 6, 2014

Disguised lovers, tricky servants, and well-meaning parents cross and double-cross one another along the canals of Venice in Carlo Goldoni’s slapstick filled, comic gem. The characters’ search for a happy ending depends entirely on the titular servant Truffaldino, who is constantly on the lookout for a decent meal. Truffaldino’s attempt to double his wages unravels with delicious mayhem in this joyous, 18thcentury lark.