Chicago Shakespeare Festival
March 13 – May 4, 2014
Directed by Gary Griffin
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Associate Artistic Director Gary Griffin brings you not one, but two musicals, Gypsy and Road Show, that feature the extraordinary talents of Stephen Sondheim—both inspired by real stories of ambitious Americans in pursuit of their dreams. Based on the lives of the boldly enterprising brothers Addison and Wilson Mizner, the musical journey of Road Show spans forty years—from the Alaskan Gold Rush to the Florida real estate boom in the 1930s. Traversing the continent in a variety of get-rich-quick schemes, the brothers stick together through experiences that change their lives in unexpected ways.
KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.
Seattle Shakespeare Company
March 19-Apr. 13, 2014
Directed by Victor Pappas
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Oscar Wilde’s outlandish masterpiece is one of the cleverest comedies in the English language. Dapper Jack Worthing and Algernon, his compatriot in cavorting, have fallen for two ladies who have their hearts set on marrying a man named Ernest. In order to pursue the romance, both men concoct an elaborate deception which leads to an even more outlandish surprise when the formidable Lady Bracknell starts sleuthing about for the far-fetched truth.
Chicago Shakespeare Festival
March 30 – April 13, 2014
Adaptor/Director: Emma Rice
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Lauded all around the world for its trademark vitality, the artistic collective from Cornwall, England, Kneehigh makes its long-awaited Chicago debut with the iconic work that first catapulted the company to international fame. Marrying gorgeous music and ingenious staging with cheeky humor and Wagnerian intensity, Kneehigh now reimagines one of the world’s oldest love stories. Cornish King Mark is at war; he rules with his head, not his heart. But he hasn’t counted on falling head over heels for his enemy’s sister, or expected the arrival of the enigmatic Tristan.
Syracuse Shakespeare Festival
April 4 – April 14, 2014
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Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler. It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night. After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.
Seattle Shakespeare Company
Apr. 24-May 11, 2014
Directed by Sheila Daniels
Cornish Playhouse at Seattle Center
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The ultimate family drama matched by intense political intrigue, King Lear traces an aging monarch’s descent into madness. Weary of his royal duties, King Lear elects to distribute his lands among his three daughters. But sweet falsities and hubris blind Lear to the true motives of those around him, scorching king and kingdom to ashes with consequences that unearth the worst and best in human nature.