KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.
Chicago Shakespeare Festival
March 30 – April 13, 2014
Adaptor/Director: Emma Rice
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Lauded all around the world for its trademark vitality, the artistic collective from Cornwall, England, Kneehigh makes its long-awaited Chicago debut with the iconic work that first catapulted the company to international fame. Marrying gorgeous music and ingenious staging with cheeky humor and Wagnerian intensity, Kneehigh now reimagines one of the world’s oldest love stories. Cornish King Mark is at war; he rules with his head, not his heart. But he hasn’t counted on falling head over heels for his enemy’s sister, or expected the arrival of the enigmatic Tristan.
Scrawny Cat Theatre
1st – 26th April 2014
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Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.
Who was he really? A dangerous tyrant or a dutiful king?
Who was the man found in the car park when all the stories are done?
Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.
Scrawny Cat Theatre
1st – 26th April 2014
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Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.
Who was he really? A dangerous tyrant or a dutiful king?
Who was the man found in the car park when all the stories are done?
Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.
Syracuse Shakespeare Festival
April 4 – April 14, 2014
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Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler. It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night. After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.
Chicago Shakespeare Festival
April 29 – June 15, 2014
Director: Christopher Luscombe
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“Once more unto the breach, dear friends, once more!” In a rousing finale to the 2014 season, Shakespeare’s powerful history play takes center stage in our magnificent Courtyard Theater for the very first time. Acclaimed British director Christopher Luscombe, whose work has been featured at the Royal Shakespeare Company, sheds new light on the Bard’s legendary coming-of-age story. Against all odds, a charismatic young monarch confronted by the ferocity of war proves his worth as a man—and king. Henry V is Shakespeare’s rallying cry, celebrating the power of language to summon battlefields from thin air and ignite our souls to action.