Chicago Shakespeare Festival
March 30 – April 13, 2014
Adaptor/Director: Emma Rice
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Lauded all around the world for its trademark vitality, the artistic collective from Cornwall, England, Kneehigh makes its long-awaited Chicago debut with the iconic work that first catapulted the company to international fame. Marrying gorgeous music and ingenious staging with cheeky humor and Wagnerian intensity, Kneehigh now reimagines one of the world’s oldest love stories. Cornish King Mark is at war; he rules with his head, not his heart. But he hasn’t counted on falling head over heels for his enemy’s sister, or expected the arrival of the enigmatic Tristan.
Syracuse Shakespeare Festival
April 4 – April 14, 2014
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Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler. It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night. After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.
Chicago Shakespeare Festival
April 29 – June 15, 2014
Director: Christopher Luscombe
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“Once more unto the breach, dear friends, once more!” In a rousing finale to the 2014 season, Shakespeare’s powerful history play takes center stage in our magnificent Courtyard Theater for the very first time. Acclaimed British director Christopher Luscombe, whose work has been featured at the Royal Shakespeare Company, sheds new light on the Bard’s legendary coming-of-age story. Against all odds, a charismatic young monarch confronted by the ferocity of war proves his worth as a man—and king. Henry V is Shakespeare’s rallying cry, celebrating the power of language to summon battlefields from thin air and ignite our souls to action.
THE KILLER – Theater For A New Audience, Brooklyn, NC
By Eugène Ionesco
Newly Translated: Michael Feingold
Direction: Darko Tresnjak
Featuring Michael Shannon
May 17-June 29, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]A searing and darkly funny parable about violence and resistance, Ionesco’s The Killer premiered in Paris in 1959 and has become a modern classic of the Theatre of the Absurd. Berenger, Ionesco’s cheerful, well-meaning everyman, discovers a “radiant city” near his dismal urban home, a perpetually sunny, impeccably clean place full of marvelous architecture and delicious food. The one hitch: a serial murderer has been brazenly killing people there for so long that the authorities have given up trying to catch him.
Oscar nominee (Revolutionary Road) Michael Shannon plays Berenger. Our production will bring out the humor and taut film noir aura of this work, underscoring the cinematic allure of the murders, the futile chase, the bungled investigation and the climactic confrontation with the criminal. The exquisitely simple approach will spotlight powerful, precise acting and spare, sculptural design.