The Shakespeare Theatre Company

September 12 – October 27, 2013

“Some rise by sin, and some by virtue fall”

Shakespeare’s dark comedy leads a compelling season by posing controversial ideas and by exploring the corrupting nature of power. Director Jonathan Munby (STC’s 2009 hit, The Dog in The Manger) returns to direct this play of ethics and morality.

Recommended for ages 18 and above but may be suitable for mature audiences, 16 and above. Contains partial nudity, violent and adult situations.

This performance contains herbal cigarette smoke and theatrical haze.

Please note:  This performance starts with a pre-show cabaret 20 minutes before show time.  We invite you to arrive early to experience this exciting prologue. Those patrons arriving after the performance starts will be asked to wait in the lobby until the appropriate late-seating break.

The Old Globe

February 8 – March 16, 2014

Directed by Barry Edelstein

[button target=”http://www.theoldglobe.org/tickets/production.aspx?performanceNumber=10454″]Buy Tickets[/button]

NPR calls Old Globe Artistic Director Barry Edelstein “one of the country’s leading Shakespeareans.” Now Edelstein’s work takes center stage in his Old Globe directorial debut with Shakespeare’s most enchanting masterpiece, featuring a powerful musical score written expressly for the production by acclaimed classical composer Michael Torke. The Winter’s Talesweeps breathtakingly from tragedy to comedy and along the way visits kings and queens, dancing shepherds, a most extraordinary statue, and one notoriously hungry bear, before it reaches its stunning, magical conclusion.

KING LEAR – Theater For A New Audience, Brooklyn, NY

By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias

March 14 – May 4, 2014

Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.

For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”

This production is sponsored by Deloitte.

Syracuse Shakespeare Festival

April 4 – April 14, 2014

[button url=”http://syrsf.ticketleap.com/” target=”blank”]Buy Tickets[/button]

Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler.  It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night.  After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.