Folger Theatre
January 28 – March 9, 2013
[button url=”http://www.folger.edu/whatsontype.cfm?wotypeid=2″ target=”blank”]Buy Tickets[/button]Exploring Shakespeare’s portrait of maniacal ambition and digging into the truth about this king’s real nature, Robert Richmond returns to the Folger to direct the celebrated history play.
For the first time in Folger history, the Elizabethan Theatre will be reconfigured to allow for a production “in the round”. For more information on how this affects you, please click here for more information on seating for Richard III.
The Old Globe
February 8 – March 16, 2014
Directed by Barry Edelstein
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NPR calls Old Globe Artistic Director Barry Edelstein “one of the country’s leading Shakespeareans.” Now Edelstein’s work takes center stage in his Old Globe directorial debut with Shakespeare’s most enchanting masterpiece, featuring a powerful musical score written expressly for the production by acclaimed classical composer Michael Torke. The Winter’s Talesweeps breathtakingly from tragedy to comedy and along the way visits kings and queens, dancing shepherds, a most extraordinary statue, and one notoriously hungry bear, before it reaches its stunning, magical conclusion.
American Shakespeare Center
Now Until April 3, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats; country folk and lovers; and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.
American Shakespeare Center
Now Until April 5, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]In the bawdy, riotous tradition of all his city comedies, Ben Jonson’s Epicene explores love, sex, and trickery in Early Modern London. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. Take a suspiciously silent bride, all of Dauphine’s London cronies, and a deal that is simply too good to be true; and Morose, along with the audience, gets a wedding day he won’t soon forget.
American Shakespeare Center
Now until April 6, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]Disguised lovers, tricky servants, and well-meaning parents cross and double-cross one another along the canals of Venice in Carlo Goldoni’s slapstick filled, comic gem. The characters’ search for a happy ending depends entirely on the titular servant Truffaldino, who is constantly on the lookout for a decent meal. Truffaldino’s attempt to double his wages unravels with delicious mayhem in this joyous, 18thcentury lark.
American Shakespeare Center
Now Until April 4, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]After wealthy Athenian Timon spends all his money entertaining, supporting, and bailing out his friends, he anticipates their help in his time of need. When his “friends” turn him down one-by-one, Timon transforms from Shakespeare’s most liberal spendthrift into his most tight-fisted misanthrope. A perfect play for our turbulent financial times, Timon of Athens makes us question the meaning of friendship, generosity, and gratitude.