The Comedy of Errors
- The Oregon Shakespeare Festival, Ashland, OR
- February 20 – November 2, 2014
- Thomas Theatre
- By William Shakespeare | Directed by Kent Gash
Double double trouble
Antipholus and his servant, Dromio, go looking for family they lost years ago. Traveling from the rural South, they journey to the big city and find themselves in the heart of the Harlem Renaissance. And surprise! Suddenly there are two identical Antipholi and two identical Dromios, which has everybody in town (including significant others) seeing double. To make matters worse, another family member is about to be executed for breaking local law. Laughs fly as the clock ticks in Shakespeare’s farce about the craziest family reunion ever.
Seattle Shakespeare Company
March 19-Apr. 13, 2014
Directed by Victor Pappas
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Oscar Wilde’s outlandish masterpiece is one of the cleverest comedies in the English language. Dapper Jack Worthing and Algernon, his compatriot in cavorting, have fallen for two ladies who have their hearts set on marrying a man named Ernest. In order to pursue the romance, both men concoct an elaborate deception which leads to an even more outlandish surprise when the formidable Lady Bracknell starts sleuthing about for the far-fetched truth.
Hamlet – Globe to Globe – Shakespeare’s Globe, London – World Tour
by William Shakespeare
Directed by Dominic Dromgoole and Bill Bruckhurst
A TWO-YEAR TOUR TO EVER COUNTRY IN THE WORLD
Learning of his father’s death, Prince Hamlet comes home to find his uncle married to his mother and installed on the Danish throne. At night, the ghost of the old king demands that Hamlet avenge his ‘foul and most unnatural murder’.
Encompassing political intrigue and sexual obsession, philosophical reflection and violent action, tragic depth and wild humour, Hamlet is Shakespeare’s ‘poem unlimited’, a colossus in the story of the English language and the fullest expression of his genius.
Be at the start of a completely unprecedented theatrical adventure and help us launch this two-year worldwide tour of our pared-down, small-scale Hamlet, which will visit all 205 nations on earth.
Seattle Shakespeare Company
Apr. 24-May 11, 2014
Directed by Sheila Daniels
Cornish Playhouse at Seattle Center
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The ultimate family drama matched by intense political intrigue, King Lear traces an aging monarch’s descent into madness. Weary of his royal duties, King Lear elects to distribute his lands among his three daughters. But sweet falsities and hubris blind Lear to the true motives of those around him, scorching king and kingdom to ashes with consequences that unearth the worst and best in human nature.
Titus Andronicus
By William Shakespeare
Directed by Lucy Bailey
[button url=”https://tickets.shakespearesglobe.com/” target=”blank”]Buy Tickets[/button]BRUTALITY OF THE HIGHEST ORDER
Returning to Rome from a war against the Goths, the general Titus Andronicus brings with him the queen Tamora and her three sons as prisoners of war. Titus’ sacrifice of Tamora’s eldest son to appease the ghosts of his dead sons, and his decision to refuse to accept the title of emperor, initiates a terrible cycle of mutilation, rape and murder. And all the while, at the centre of the nightmare, there moves the villainous, self-delighting Aaron.
Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare’s early career, and is written with a ghoulish energy he was never to repeat elsewhere.
This production revisits Lucy Bailey’s spectacular Globe production of 2006.
Shakespeare’s Globe Theater
5 – 10 May (performed in Gujarati)
[button url=”https://tickets.shakespearesglobe.com/selecteics.asp” target=”blank”]Buy Tickets[/button]When Bharatram (Bertram) flees his native Gujarat for Bombay, his mother’s ward Heli (Helena), desperately in love, decides to pursue him. But Bharatram feels differently, and attaches two obstructive conditions to their marriage – conditions he is sure will never be met.
20th-century India stands in for Renaissance France in this joyful, imaginative production of a play that reverses all the usual expectations of Shakespearean comedy.