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Calendar

Apr
23
Wed
Hamlet – Globe to Globe – Shakespeare’s Globe, London – World Tour
Apr 23 2014 @ 4:45 am – May 1 2016 @ 5:45 am

Hamlet – Globe to Globe – Shakespeare’s Globe, London – World Tour

by William Shakespeare

Directed by Dominic Dromgoole and Bill Bruckhurst

A TWO-YEAR TOUR TO EVER COUNTRY IN THE WORLD

Learning of his father’s death, Prince Hamlet comes home to find his uncle married to his mother and installed on the Danish throne. At night, the ghost of the old king demands that Hamlet avenge his ‘foul and most unnatural murder’.

Encompassing political intrigue and sexual obsession, philosophical reflection and violent action, tragic depth and wild humour, Hamlet is Shakespeare’s ‘poem unlimited’, a colossus in the story of the English language and the fullest expression of his genius.

Be at the start of a completely unprecedented theatrical adventure and help us launch this two-year worldwide tour of our pared-down, small-scale Hamlet, which will visit all 205 nations on earth.

 

Apr
24
Thu
King Lear, Seattle Shakespeare Co.
Apr 24 @ 12:30 am – May 11 @ 1:30 am

Seattle Shakespeare Company

Apr. 24-May 11, 2014

Directed by Sheila Daniels

Cornish Playhouse at Seattle Center

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The ultimate family drama matched by intense political intrigue, King Lear traces an aging monarch’s descent into madness. Weary of his royal duties, King Lear elects to distribute his lands among his three daughters. But sweet falsities and hubris blind Lear to the true motives of those around him, scorching king and kingdom to ashes with consequences that unearth the worst and best in human nature.

 

 

 

 

 

 

 

Titus Andronicus – Shakespeare’s Globe
Apr 24 @ 4:30 am – Nov 2 @ 5:30 am

Titus Andronicus

By William Shakespeare

Directed by Lucy Bailey

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BRUTALITY OF THE HIGHEST ORDER

Returning to Rome from a war against the Goths, the general Titus Andronicus brings with him the queen Tamora and her three sons as prisoners of war. Titus’ sacrifice of Tamora’s eldest son to appease the ghosts of his dead sons, and his decision to refuse to accept the title of emperor, initiates a terrible cycle of mutilation, rape and murder. And all the while, at the centre of the nightmare, there moves the villainous, self-delighting Aaron.

Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare’s early career, and is written with a ghoulish energy he was never to repeat elsewhere.

This production revisits Lucy Bailey’s spectacular Globe production of 2006.

Apr
30
Wed
Alice Through the Looking-Glass, Stratford, Ontario
Apr 30 @ 5:00 am – Oct 12 @ 6:00 am

Stratford Festival

April 30 – Oct 12, 2014

By Lewis Carroll

Adapted for the stage by James Reaney
Directed by Jillian Keiley

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Climbing through her living-room mirror, Alice enters a world of wonders populated by such fantastical characters as Humpty Dumpty, Tweedledee and Tweedledum, the Walrus and the Carpenter – and the fearsome Jabberwock. Children and adults alike will be delighted by this spectacular journey into the topsy-turvy realm of the dreaming mind.

 

 

 

May
5
Mon
King Lear – Stratford, Ontario Shakespeare
May 5 @ 6:00 am – Oct 10 @ 7:00 am

King Lear – Stratford, Ontario Shakespeare

by William Shakespeare
Directed by Antoni Cimolino

Festival Theatre

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About the Play

An aging monarch resolves to divide his kingdom among his three daughters, with consequences he little expects. His reason shattered in the storm of violent emotion that ensues, with his very life hanging in the balance, Lear loses everything that has defined him as a king – and thereby discovers the essence of his own humanity.
All’s Well that Ends Well, Shakespeare’s Globe
May 5 @ 6:45 am – May 10 @ 7:45 am

Shakespeare’s Globe Theater

5 – 10 May (performed in Gujarati)

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When Bharatram (Bertram) flees his native Gujarat for Bombay, his mother’s ward Heli (Helena), desperately in love, decides to pursue him. But Bharatram feels differently, and attaches two obstructive conditions to their marriage – conditions he is sure will never be met.

20th-century India stands in for Renaissance France in this joyful, imaginative production of a play that reverses all the usual expectations of Shakespearean comedy.