Royal Shakespeare Company
28 March – 6 September 2014
[button url=”http://www.rsc.org.uk/buy-tickets/” target=”blank”]Buy Tickets[/button]
King Henry’s health is failing as a second rebellion threatens to surface.
Intent on securing his legacy, he is uncertain that Hal is a worthy heir, believing him more concerned with earthly pleasures than the responsibility of rule. Meanwhile, Falstaff is sent to the countryside to recruit fresh troops.
Amongst the unwitting locals, opportunities for embezzlement and profiteering prove impossible to resist as Falstaff gleefully indulges in the business of lining his own pockets.
As the King’s health continues to worsen, Hal must choose between duty and loyalty to an old friend in Shakespeare’s heartbreaking conclusion to this pair of plays.
RSC Associate Artist Antony Sher returns to the Company to play the infamous comic knight Falstaff. He is joined by Jasper Britton as Henry IV and Alex Hassell as Prince Hal. Jasper returns following his performances in The Taming of the Shrew/The Tamer Tamed (2003). Alex returns to the RSC following his recent credits in A Midsummer Night’s Dream, Cardenio and The City Madam(2011).
Royal Shakespeare Company
9 April – 30 September 2014
Directed by Jo Davies
[button url=”http://www.rsc.org.uk/buy-tickets/” target=”blank”]Buy Tickets[/button]
In a London fuelled by greed and desire, the charismatic, cross-dressing, ‘roaring girl’ heroine Moll has the world wrapped round her little finger. Moll proves more than a match for any man in Dekker and Middleton’s hilarious city comedy directed by Jo Davies.
Hamlet – Globe to Globe – Shakespeare’s Globe, London – World Tour
by William Shakespeare
Directed by Dominic Dromgoole and Bill Bruckhurst
A TWO-YEAR TOUR TO EVER COUNTRY IN THE WORLD
Learning of his father’s death, Prince Hamlet comes home to find his uncle married to his mother and installed on the Danish throne. At night, the ghost of the old king demands that Hamlet avenge his ‘foul and most unnatural murder’.
Encompassing political intrigue and sexual obsession, philosophical reflection and violent action, tragic depth and wild humour, Hamlet is Shakespeare’s ‘poem unlimited’, a colossus in the story of the English language and the fullest expression of his genius.
Be at the start of a completely unprecedented theatrical adventure and help us launch this two-year worldwide tour of our pared-down, small-scale Hamlet, which will visit all 205 nations on earth.
Titus Andronicus
By William Shakespeare
Directed by Lucy Bailey
[button url=”https://tickets.shakespearesglobe.com/” target=”blank”]Buy Tickets[/button]BRUTALITY OF THE HIGHEST ORDER
Returning to Rome from a war against the Goths, the general Titus Andronicus brings with him the queen Tamora and her three sons as prisoners of war. Titus’ sacrifice of Tamora’s eldest son to appease the ghosts of his dead sons, and his decision to refuse to accept the title of emperor, initiates a terrible cycle of mutilation, rape and murder. And all the while, at the centre of the nightmare, there moves the villainous, self-delighting Aaron.
Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare’s early career, and is written with a ghoulish energy he was never to repeat elsewhere.
This production revisits Lucy Bailey’s spectacular Globe production of 2006.
Royal Shakespeare Company
30 April – 2 October 2014
Directed by Polly Findlay
[button url=”http://www.rsc.org.uk/buy-tickets/” target=”blank”]Buy Tickets[/button]
When wealthy landowner Arden’s suspicions of his wife Alice cheating on him are confirmed, Arden, Alice and her lover find themselves playing a deadly game as a series of would be murderers set off in pursuit of Arden.
Polly Findlay makes her RSC debut to direct this anonymously written thriller.
Shakespeare’s Globe Theater
5 – 10 May (performed in Gujarati)
[button url=”https://tickets.shakespearesglobe.com/selecteics.asp” target=”blank”]Buy Tickets[/button]When Bharatram (Bertram) flees his native Gujarat for Bombay, his mother’s ward Heli (Helena), desperately in love, decides to pursue him. But Bharatram feels differently, and attaches two obstructive conditions to their marriage – conditions he is sure will never be met.
20th-century India stands in for Renaissance France in this joyful, imaginative production of a play that reverses all the usual expectations of Shakespearean comedy.