Shakespeare & Company
May 23–August 24, 2014
Elayne P. Bernstein Theatre
by VERN THIESSEN
directed by DANIELA VERON
featuring KRISTIN WOLD
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Folger Theatre
May 28 – June 1, 2014
Directed by Noah Brody and Ben Steinfeld
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The Shakespeare Theatre of NJ
Begins May 28
Directed by Bonnie J. Monte
[button url=”http://www.shakespearenj.org/OnStage/PurchaseTickets.html” target=”blank”]Buy Tickets[/button]Artistic Director Bonnie J. Monte directs The Tempest for the first time since 1991, her inaugural production at The Shakespeare Theatre. Prestigious company veteran Sherman Howard, an actor Ms. Monte describes as “a force of nature in himself,” will portray Prospero, the powerful magician who rules over his enchanted island home.
Shakespeare In The Park
June 3 – July 6, 2014
Directed by Jack O’Brien
Lily Rabe as Beatrice
Hamish Linklater as Benedick
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Hamish Linklater and Tony® nominee Lily Rabe return to the Park this summer as the wise-cracking, would-be lovers Beatrice and Benedick in the beloved romantic comedy MUCH ADO ABOUT NOTHING. Central Park becomes sun-drenched Sicily at the turn of the last century, where the heat of summer ignites the fevered passions of lovesick ladies in corsets and pining gentlemen spying from the verandah. Three-time Tony winner Jack O’Brien directs this delightful skirmish of wit between two self-declared bachelors tricked by their mischief-making friends into falling in love against their will and in spite of their own hearts.
Richard III
- June 3 – October 10, 2014
- Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
- By William Shakespeare | Directed by James Bundy
Bad to the Bone
The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.