ANTONY AND CLEOPATRA
By William Shakespeare
Edited and Directed by Tarell Alvin McCraney
February 18 – March 23, 2014
In an exciting international collaboration with the Royal Shakespeare Company and GableStage, Miami, The Public welcomes back writer/director Tarell Alvin McCraney (The Brother/Sister Plays) as its new artist in residence with ANTONY & CLEOPATRA. At the fringes of a war-torn empire, a man and a woman have fallen desperately, passionately in love. But for a soldier set to enforce the imperial will and the queen of a people intent on throwing off the yoke of empire, there is no place for personal desire. McCraney creates a stripped down, radical new version of Shakespeare’s gripping story of romance set against a world of imperial politics and power play and transports us to 18th century, sun-soaked Saint-Domingue on the eve of revolution. RSC in America is presented in collaboration with The Ohio State University.
Southwest Shakespeare Company
By Bill Cain
Feb. 28 – March 22, 2014
Anita Farnsworth Theater
Mesa Arts Center
1 East Main Street, Mesa, AZ 85201
(480) 644 6500
In London, 1605, a down-and-out playwright called Shagspeare receives a royal commission to write a play promoting the government’s version of the Guy Fawkes’ Gunpowder Plot. As Shag navigates the dangerous course between writing a lie or losing his head, his devoted theatre troupe helps him negotiate each step along the way.
KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.

In the summer of 1974, the Brady and Partridge Families, recently canceled by ABC and no longer under America’s watchful eye, met in a blood-soaked, passion-filled, vengeance-fueled, very special episode of Shakespearean proportions.
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Stratford Festival
April 21 to October 12, 2014
Directed by Donna Feore
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Sent to Deadrock, Nevada, to foreclose on a derelict theatre, banker Bobby Child falls for its owner’s daughter, Polly Baker. Can he reconcile the demands of duty and love – and his own dreams of dancing? “I Got Rhythm,” “Nice Work if You Can Get It” and “Someone to Watch Over Me” are just some of the gems in this dynamic musical’s dazzling score.
Stratford Festival
April 30 – Oct 12, 2014
By Lewis Carroll
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