The Tempest
- February 14 – November 2, 2014
- Angus Bowmer Theatre
- By William Shakespeare | Directed by Tony Taccone
Rough magic and brave new worlds
For 12 years, the exiled Duke Prospero has waited for this moment: Old enemies have sailed too close to his enchanted island, and a mighty storm has forced them ashore. Now it’s time to settle old scores and reclaim his former dukedom for his daughter, Miranda. Aided by supernatural powers, Prospero dispenses justice while overseeing the growing attraction between Miranda and the princely son of one of his foes. In Shakespeare’s romance, sorcery and love transmute vengeance into humility and humanity, making it possible for all to return to a world made new by the power of forgiveness.
This production of “The Tempest” is part of Shakespeare for a New Generation, a national theatre initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest.
The Comedy of Errors
- The Oregon Shakespeare Festival, Ashland, OR
- February 20 – November 2, 2014
- Thomas Theatre
- By William Shakespeare | Directed by Kent Gash
Double double trouble
Antipholus and his servant, Dromio, go looking for family they lost years ago. Traveling from the rural South, they journey to the big city and find themselves in the heart of the Harlem Renaissance. And surprise! Suddenly there are two identical Antipholi and two identical Dromios, which has everybody in town (including significant others) seeing double. To make matters worse, another family member is about to be executed for breaking local law. Laughs fly as the clock ticks in Shakespeare’s farce about the craziest family reunion ever.
Chicago Shakespeare Festival
April 29 – June 15, 2014
Director: Christopher Luscombe
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“Once more unto the breach, dear friends, once more!” In a rousing finale to the 2014 season, Shakespeare’s powerful history play takes center stage in our magnificent Courtyard Theater for the very first time. Acclaimed British director Christopher Luscombe, whose work has been featured at the Royal Shakespeare Company, sheds new light on the Bard’s legendary coming-of-age story. Against all odds, a charismatic young monarch confronted by the ferocity of war proves his worth as a man—and king. Henry V is Shakespeare’s rallying cry, celebrating the power of language to summon battlefields from thin air and ignite our souls to action.
Southwest Shakespeare Company
May 15 – June 1, 2014
Desert Botanical Garden
1201 N. Galvin Parkway, Phoenix, AZ
A new adaptation of Shakespeare’s immortal A Midsummer Night’s Dream in partnership with the Desert Botanical Garden.
This new vision will include bold visual elements, stunning costumes, lighting and stage magic designed to highlight the Garden. Two seating options are available: general admission and reserved bistro seating for four. If you would like reserved seating, let us seat you at a bistro table. Guests can purchase food & a full cash bar will be available.
King John
By William Shakespeare
Directed by Tim Carroll
Tom Patterson Theatre
May 21 to September 20
Opens May 28
War is the inevitable result when the King of France demands that John relinquish his crown in favour of his nephew, the young Prince Arthur. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political and personal turmoil that finds devastating expression in an anguished mother’s grief for her son.
Richard III
- June 3 – October 10, 2014
- Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
- By William Shakespeare | Directed by James Bundy
Bad to the Bone
The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.