Showing topics: Lectures
Allen Ginsberg’s Short Course on “The Tempest” (1980), Class 2 (of 4)
“Like so many great poets, Allen Ginsberg composed extemporaneously as he spoke, in erudite paragraphs, reciting lines and whole poems from memory—in his case, usually the poems of William Blake.
In the audio lectures here, from August 1980, Ginsberg teaches a four-part course on Shakespeare’s The Tempest (parts one and two above, three and four below), a play he often returned to for reference in his own work.”
Source: Openculture.com
Class two:
Class 3: Allen Ginsberg’s Short Course on The Tempest (1980)
“Like so many great poets, Allen Ginsberg composed extemporaneously as he spoke, in erudite paragraphs, reciting lines and whole poems from memory—in his case, usually the poems of William Blake.
In the audio lectures here, from August 1980, Ginsberg teaches a four-part course on Shakespeare’s The Tempest (parts one and two above, three and four below), a play he often returned to for reference in his own work.”
Source: Openculture.com
Class three:
Allen Ginsberg’s Short Course on “The Tempest” (1980), Class 4 (of 4)
“Like so many great poets, Allen Ginsberg composed extemporaneously as he spoke, in erudite paragraphs, reciting lines and whole poems from memory—in his case, usually the poems of William Blake.
In the audio lectures here, from August 1980, Ginsberg teaches a four-part course on Shakespeare’s The Tempest (parts one and two above, three and four below), a play he often returned to for reference in his own work.”
Source: Openculture.com
Class four:
Allen Ginsberg’s Short Course on “The Tempest” (1980), Class 1 (of 4)
“Like so many great poets, Allen Ginsberg composed extemporaneously as he spoke, in erudite paragraphs, reciting lines and whole poems from memory—in his case, usually the poems of William Blake.
In the audio lectures here, from August 1980, Ginsberg teaches a four-part course on Shakespeare’s The Tempest (parts one and two above, three and four below), a play he often returned to for reference in his own work.”
Source: Openculture.com
Class one:
Iago/Othello : Honest Villians-Noble Killers- Forum at Stratford, Ontario Shakespeare Festival
Streamed live on Sep 12, 2013
In Shakespeare’s Othello, the character of Iago is key to why and how the story unfolds; Iago has even more lines than Othello. Many great actors have played both parts on stage, and every new production raises complex questions. The 2013 Festival production (the seventh in Stratford’s history), directed by Chris Abraham, will once more invite us to reflect on Othello’s implications. In this, the second annual Stratford Festival Symposium, leading artists and scholars express their views on the play.
Speakers: Ellen Geer, Artistic Director, Will Geer Theatricum Botanicum, Los Angeles; Dr. Caroline Bicks, Boston College, USA; Bethany Jillard, Graham Abbey and Dion Johnstone, Stratford Festival company
Click on timecodes below to jump forward:
– Video begins at 8:26
– Video returns from intermission at 1:13:09
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Forum playlist: http://bit.ly/sfForumVids
For more Forum info: http://www.stratfordfestival.ca/foru
Shylock’s Appeals: Lawyers Discuss his arguments – At Stratford, Ontario Shakespeare Festival
Streamed live on Oct 5, 2013
Witness the appeal of Shylock’s sentence as argued by two prominent lawyers before the Right Honourable Beverley McLachlin, Chief Justice of Canada. Actors fill in the rest of the roles, making this day in court as entertaining as it is judiciously sound. Follow the online conversation using hashtag #sfForum.