Calendar

Feb
15
Fri
Taming of the Shrew, Oregon Shakespeare Festival
Feb 15 @ 12:30 am – Nov 3 @ 1:30 am

Oregon Shakespeare Festival

February 15 – November 3, 2013

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Shrew_746X308Sweet-tempered daddy’s girl Bianca can have her pick of suitors—but not until her sister, the acid-tongued Kate, can be married off. Rising to the challenge is rockabilly musician Petruchio, but can he match Kate jab for jab? A hilarious, delirious tangle of masquerades and misdirection plays out against a backdrop of beach boardwalks and rock ’n’ roll. And in the end, the surprising love story dares to ask what roles we play . . . and, underneath, who we really are.

This production of The Taming of the Shrew is part of
Shakespeare for a New Generation, a national theatre initiative
sponsored by the National Endowment for the Arts in cooperation
with Arts Midwest.

Audience Notes: Theatrical fog and strobe lights are used in this production.

 

Feb
21
Thu
King Lear, Oregon Shakespeare Festival
Feb 21 @ 12:30 am – Nov 3 @ 1:30 am

Oregon Shakespeare Festival

February 21 – November 3, 2013

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Lear_746X308King Lear is ready to turn his realm over to his three daughters. His plan is simple: Give the biggest piece to the daughter who loves him most. But honeyed words and hubris blind Lear to the true motives of those around him, plunging king and kingdom into a hell of treachery, madness and unspeakable acts—with consequences that reveal the worst and best in human nature.

 

Mar
14
Fri
King Lear, Theater For A New Audience, NYC
Mar 14 @ 8:15 pm – May 4 @ 9:15 pm

KING LEAR – Theater For A New Audience, Brooklyn, NY

By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias

March 14 – May 4, 2014

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Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.

For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”

This production is sponsored by Deloitte.