Calendar

Mar
19
Wed
The Importance of Being Earnest, Seattle Shakespeare Co.
Mar 19 @ 12:30 am – Apr 13 @ 1:30 am

Seattle Shakespeare Company

March 19-Apr. 13, 2014

Directed by Victor Pappas

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Oscar Wilde’s outlandish masterpiece is one of the cleverest comedies in the English language. Dapper Jack Worthing and Algernon, his compatriot in cavorting, have fallen for two ladies who have their hearts set on marrying a man named Ernest. In order to pursue the romance, both men concoct an elaborate deception which leads to an even more outlandish surprise when the formidable Lady Bracknell starts sleuthing about for the far-fetched truth.

 

 

 

 

 

 

Apr
17
Thu
The Two Gentlemen of Verona, Folger Theatre
Apr 17 @ 12:15 am – May 25 @ 1:15 am

Folger Theatre

April 17 – May 25, 2014

Directed by Ben Steinfeld and Jessie Austrian

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Apr
24
Thu
King Lear, Seattle Shakespeare Co.
Apr 24 @ 12:30 am – May 11 @ 1:30 am

Seattle Shakespeare Company

Apr. 24-May 11, 2014

Directed by Sheila Daniels

Cornish Playhouse at Seattle Center

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The ultimate family drama matched by intense political intrigue, King Lear traces an aging monarch’s descent into madness. Weary of his royal duties, King Lear elects to distribute his lands among his three daughters. But sweet falsities and hubris blind Lear to the true motives of those around him, scorching king and kingdom to ashes with consequences that unearth the worst and best in human nature.

 

 

 

 

 

 

 

May
28
Wed
Cymbeline, Folger Theater
May 28 @ 12:15 am – Jun 1 @ 1:15 am

Folger Theatre

May 28 – June 1, 2014

Directed by Noah Brody and Ben Steinfeld

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Cymbeline – Washington D.C.
May 28 @ 6:00 pm – Jun 1 @ 7:00 pm
Jun
3
Tue
Richard III – Oregon Shakespeare Fest, Ashland, OR
Jun 3 @ 6:30 pm – Oct 10 @ 7:30 pm
Richard III - Oregon Shakespeare Fest, Ashland, OR

Richard III

  • June 3 – October 10, 2014
  • Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
  • By William Shakespeare | Directed by James Bundy

Bad to the Bone

The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.