Antony and Cleopatra
By William Shakespeare
Directed by Jonathan Munby
[button url=”https://tickets.shakespearesglobe.com/” target=”blank”]Buy Tickets[/button]TWO LOVERS ARE BLOWN APART BY LOVE AND WAR
Cleopatra, the alluring and fascinatingly ambiguous Queen of Egypt, has bewitched the great Mark Antony, soldier, campaigner and now one of the three rulers of the Roman Empire. When Antony quarrels with his fellow leaders and throws in his lot with Cleopatra, his infatuation threatens to split the Empire in two.
Roman virtue and Eastern vice, transcendent love and realpolitik combine in Antony and Cleopatra, Shakespeare’s greatest exploration of the conflicting claims of sex and power, all expressed in a tragic poetry of breathtaking beauty and magnificence.
Shakespeare & Company
May 23–August 24, 2014
Elayne P. Bernstein Theatre
by VERN THIESSEN
directed by DANIELA VERON
featuring KRISTIN WOLD
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Folger Theatre
May 28 – June 1, 2014
Directed by Noah Brody and Ben Steinfeld
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The Shakespeare Theatre of NJ
Begins May 28
Directed by Bonnie J. Monte
[button url=”http://www.shakespearenj.org/OnStage/PurchaseTickets.html” target=”blank”]Buy Tickets[/button]Artistic Director Bonnie J. Monte directs The Tempest for the first time since 1991, her inaugural production at The Shakespeare Theatre. Prestigious company veteran Sherman Howard, an actor Ms. Monte describes as “a force of nature in himself,” will portray Prospero, the powerful magician who rules over his enchanted island home.
Richard III
- June 3 – October 10, 2014
- Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
- By William Shakespeare | Directed by James Bundy
Bad to the Bone
The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.