Calendar

Apr
24
Thu
King Lear, Seattle Shakespeare Co.
Apr 24 @ 12:30 am – May 11 @ 1:30 am

Seattle Shakespeare Company

Apr. 24-May 11, 2014

Directed by Sheila Daniels

Cornish Playhouse at Seattle Center

[button url=”http://www.seattleshakespeare.org/season-and-tickets/” target=”blank”]Buy Tickets[/button]

The ultimate family drama matched by intense political intrigue, King Lear traces an aging monarch’s descent into madness. Weary of his royal duties, King Lear elects to distribute his lands among his three daughters. But sweet falsities and hubris blind Lear to the true motives of those around him, scorching king and kingdom to ashes with consequences that unearth the worst and best in human nature.

 

 

 

 

 

 

 

Titus Andronicus – Shakespeare’s Globe
Apr 24 @ 4:30 am – Nov 2 @ 5:30 am

Titus Andronicus

By William Shakespeare

Directed by Lucy Bailey

[button url=”https://tickets.shakespearesglobe.com/” target=”blank”]Buy Tickets[/button]

BRUTALITY OF THE HIGHEST ORDER

Returning to Rome from a war against the Goths, the general Titus Andronicus brings with him the queen Tamora and her three sons as prisoners of war. Titus’ sacrifice of Tamora’s eldest son to appease the ghosts of his dead sons, and his decision to refuse to accept the title of emperor, initiates a terrible cycle of mutilation, rape and murder. And all the while, at the centre of the nightmare, there moves the villainous, self-delighting Aaron.

Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare’s early career, and is written with a ghoulish energy he was never to repeat elsewhere.

This production revisits Lucy Bailey’s spectacular Globe production of 2006.

Apr
25
Fri
Henry IV, Part 1, Shakespeare Theater Co.
Apr 25 @ 12:15 am – Jun 7 @ 1:15 am

The Shakespeare Theater Company

Sidney Harman Hall

Henry IV, Part 1

Directed by Michael Kahn

March 25 – June 7, 2014

[button url=”http://www.shakespearetheatre.org/tickets/all_tix.aspx” target=”blank”]Buy Tickets[/button]

henry-iv“The better part of valor is, discretion.”

A young prince must decide between tavern roughhousing and the burden of his father’s legacy, in the coming-of-age story of heroism, corruption and war. STC Artistic Director Michael Kahn directs the masterful Stacy Keach (King Lear, Macbeth) who plays Shakespeare’s beloved character, Falstaff.

Apr
28
Mon
Much Ado About Nothing – Shakespeare’s Globe
Apr 28 @ 12:15 am – Sep 1 @ 1:15 am

Much Ado About Nothing

Shakespeare’s Globe

Touring Production

 

Claudio loves Hero and Hero Claudio and nothing seems capable of keeping them apart. Claudio’s friend Benedick loves Beatrice and Beatrice Benedick, but (because neither will admit it) nothing seems capable of bringing them together. Only the intrigues of a resentful prince force Benedick to prove his love for Beatrice – by killing his best friend.

Driven along by a romance all the more charming for being in denial, Much Ado About Nothing is a miracle of comic and dramatic suspense and gives us, in the bantering Beatrice and Benedick, one of Shakespeare’s wittiest, most lovable pair of lovers.

Apr
30
Wed
Arden of Faversham, Royal Shakespeare Company
Apr 30 @ 5:15 am – Oct 2 @ 6:15 am

Royal Shakespeare Company

30 April – 2 October 2014

Directed by Polly Findlay

[button url=”http://www.rsc.org.uk/buy-tickets/” target=”blank”]Buy Tickets[/button]

When wealthy landowner Arden’s suspicions of his wife Alice cheating on him are confirmed, Arden, Alice and her lover find themselves playing a deadly game as a series of would be murderers set off in pursuit of Arden.

Polly Findlay makes her RSC debut to direct this anonymously written thriller.

 

May
5
Mon
All’s Well that Ends Well, Shakespeare’s Globe
May 5 @ 6:45 am – May 10 @ 7:45 am

Shakespeare’s Globe Theater

5 – 10 May (performed in Gujarati)

[button url=”https://tickets.shakespearesglobe.com/selecteics.asp” target=”blank”]Buy Tickets[/button]

When Bharatram (Bertram) flees his native Gujarat for Bombay, his mother’s ward Heli (Helena), desperately in love, decides to pursue him. But Bharatram feels differently, and attaches two obstructive conditions to their marriage – conditions he is sure will never be met.

20th-century India stands in for Renaissance France in this joyful, imaginative production of a play that reverses all the usual expectations of Shakespearean comedy.