The Shakespeare Theatre Company
September 12 – October 27, 2013
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“Some rise by sin, and some by virtue fall”
Shakespeare’s dark comedy leads a compelling season by posing controversial ideas and by exploring the corrupting nature of power. Director Jonathan Munby (STC’s 2009 hit, The Dog in The Manger) returns to direct this play of ethics and morality.
Recommended for ages 18 and above but may be suitable for mature audiences, 16 and above. Contains partial nudity, violent and adult situations.
This performance contains herbal cigarette smoke and theatrical haze.
Please note: This performance starts with a pre-show cabaret 20 minutes before show time. We invite you to arrive early to experience this exciting prologue. Those patrons arriving after the performance starts will be asked to wait in the lobby until the appropriate late-seating break.
Seattle Shakespeare Company
Oct. 23-Nov. 17, 2013
Directed by George Mount
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Everyone knows that Beatrice and Benedick were meant for each other…except these two sharp-tongued wits can’t see it themselves! Only the shared resolve of redeeming a young girl’s honor brings the warring pair together. Filled with eccentric clowns, heart-warming families, and troublesome rogues, this vibrant comic celebration of romance will have you cheering when love eventually wins out.
Seattle Shakespeare Company
Jan. 8-Feb. 2, 2014
Directed by Rosa Joshi
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This lyrical beginning to the War of the Roses is among the most moving of all of Shakespeare’s histories. More poet than monarch, Richard II is ill-suited to the role that lineage and legacy demands of him. Surrounded by ambitious men who would prey on his vulnerabilities, Richard is toppled from the throne by his cunning and capable cousin, Henry. But in the loss of his worldly power, Richard makes an unexpected revelation far more important than any kingdom.
Abrons Arts Center
February 4, 2014 – February 23, 2014
Directed by Charles McMahon
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Hailed as a “wild rumpus of a show” by The Philadelphia Inquirer, Pig Iron Theatre Company’s raucous, spirited Twelfth Night breathes new life into the Bard’s classic.
With equal measures of absurdity and heart, the company fuses their distinctive physical performance style with Shakespeare’s text, creating an exhilarating version replete with practical jokes, gender confusion, and mistaken identity. This exuberant, unpredictable, award-winning production is definitely not your grandparent’s Shakespeare.
ANTONY AND CLEOPATRA
By William Shakespeare
Edited and Directed by Tarell Alvin McCraney
February 18 – March 23, 2014
In an exciting international collaboration with the Royal Shakespeare Company and GableStage, Miami, The Public welcomes back writer/director Tarell Alvin McCraney (The Brother/Sister Plays) as its new artist in residence with ANTONY & CLEOPATRA. At the fringes of a war-torn empire, a man and a woman have fallen desperately, passionately in love. But for a soldier set to enforce the imperial will and the queen of a people intent on throwing off the yoke of empire, there is no place for personal desire. McCraney creates a stripped down, radical new version of Shakespeare’s gripping story of romance set against a world of imperial politics and power play and transports us to 18th century, sun-soaked Saint-Domingue on the eve of revolution. RSC in America is presented in collaboration with The Ohio State University.
KING LEAR – Theater For A New Audience, Brooklyn, NY
By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias
March 14 – May 4, 2014
[button url=”http://www.tfana.org/tickets” target=”blank”]Buy Tickets[/button]Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.
For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”
This production is sponsored by Deloitte.