Seattle Shakespeare Company
Jan. 8-Feb. 2, 2014
Directed by Rosa Joshi
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This lyrical beginning to the War of the Roses is among the most moving of all of Shakespeare’s histories. More poet than monarch, Richard II is ill-suited to the role that lineage and legacy demands of him. Surrounded by ambitious men who would prey on his vulnerabilities, Richard is toppled from the throne by his cunning and capable cousin, Henry. But in the loss of his worldly power, Richard makes an unexpected revelation far more important than any kingdom.
Folger Theatre
January 28 – March 9, 2013
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Exploring Shakespeare’s portrait of maniacal ambition and digging into the truth about this king’s real nature, Robert Richmond returns to the Folger to direct the celebrated history play.
For the first time in Folger history, the Elizabethan Theatre will be reconfigured to allow for a production “in the round”. For more information on how this affects you, please click here for more information on seating for Richard III.
Abrons Arts Center
February 4, 2014 – February 23, 2014
Directed by Charles McMahon
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Hailed as a “wild rumpus of a show” by The Philadelphia Inquirer, Pig Iron Theatre Company’s raucous, spirited Twelfth Night breathes new life into the Bard’s classic.
With equal measures of absurdity and heart, the company fuses their distinctive physical performance style with Shakespeare’s text, creating an exhilarating version replete with practical jokes, gender confusion, and mistaken identity. This exuberant, unpredictable, award-winning production is definitely not your grandparent’s Shakespeare.
Lantern Theater
February 6 – March 16, 2014
Directed by Charles McMahon
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Idealism, envy, and power politics collide as the Roman Republic reaches a crisis. Caesar’s political genius, military prowess, and overwhelming popular appeal make him the most powerful leader the Republic has ever known. But his popularity breeds suspicion among his rivals and some fear Caesar’s power will corrode the freedom of the State. Shakespeare’s vision of Rome is both epic and intimate, from powerful speeches in grand public squares to whispered conspiracies in back rooms and dark hallways. There in the shadows, unlikely alliances set up a chain of events that bring down the great Caesar and thrust Rome into a disastrous civil war. Tony Award nominee Forrest McClendon leads an all-Philadelphia cast in Shakespeare’s timeless political thriller, brought to you by “the city’s top presenter of Shakespeare’s work.” (TheaterMania.com)
Chicago Shakespeare Festival
February 6 – March 23, 2014
Directed by: Gary Griffin
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Boasting one show-stopping song after another—like “Everything’s Coming Up Roses” and “Let Me Entertain You”—this classic musical is inspired by memoirs of the burlesque dancer Gypsy Rose Lee; and it marks Associate Artistic Director Gary Griffin’s continued exploration of the Sondheim canon. Tony Award® nominee Louise Pitre makes her Chicago Shakespeare debut as Rose, the most infamous of all stage mothers. Pitre’s career highlights include many critically acclaimed performances in the theater, on television and concert stages across North America and Europe. Gypsy, a jewel of the American musical theater, has been described by The New York Times critic Frank Rich as “Broadway’s own brassy, unlikely answer to King Lear.”
The Tempest
- February 14 – November 2, 2014
- Angus Bowmer Theatre
- By William Shakespeare | Directed by Tony Taccone
Rough magic and brave new worlds
For 12 years, the exiled Duke Prospero has waited for this moment: Old enemies have sailed too close to his enchanted island, and a mighty storm has forced them ashore. Now it’s time to settle old scores and reclaim his former dukedom for his daughter, Miranda. Aided by supernatural powers, Prospero dispenses justice while overseeing the growing attraction between Miranda and the princely son of one of his foes. In Shakespeare’s romance, sorcery and love transmute vengeance into humility and humanity, making it possible for all to return to a world made new by the power of forgiveness.
This production of “The Tempest” is part of Shakespeare for a New Generation, a national theatre initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest.