Folger Theatre
October 15 – December 1, 2013
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The perfect poetry of Shakespeare’s tragedy reveals the heart-breaking loss of “star-crossed” love. Helen Hayes Award-winning director Aaron Posner leads an outstanding ensemble into the heart of this powerful, provocative play.
Visit Folger Digital Texts to view and download a free copy of Romeo and Juliet.
Click here to purchase a copy of the fully dramatized Folger Edition (unabridged) audio recording.
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WHAT THE CRITICS ARE SAYING:
“Romeo and Juliet has been vividly brought to life” – Baltimore Sun
“5 stars…fresh, fun, and full of dynamic spirit,” – DC Metro Theatre Arts
“Visually ingenious…Haunting,” – WETA-TV
“Go see this production…you will be enmeshed once again” – ShowBizRadio
Folger Theatre
January 28 – March 9, 2013
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Exploring Shakespeare’s portrait of maniacal ambition and digging into the truth about this king’s real nature, Robert Richmond returns to the Folger to direct the celebrated history play.
For the first time in Folger history, the Elizabethan Theatre will be reconfigured to allow for a production “in the round”. For more information on how this affects you, please click here for more information on seating for Richard III.
Lantern Theater
February 6 – March 16, 2014
Directed by Charles McMahon
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Idealism, envy, and power politics collide as the Roman Republic reaches a crisis. Caesar’s political genius, military prowess, and overwhelming popular appeal make him the most powerful leader the Republic has ever known. But his popularity breeds suspicion among his rivals and some fear Caesar’s power will corrode the freedom of the State. Shakespeare’s vision of Rome is both epic and intimate, from powerful speeches in grand public squares to whispered conspiracies in back rooms and dark hallways. There in the shadows, unlikely alliances set up a chain of events that bring down the great Caesar and thrust Rome into a disastrous civil war. Tony Award nominee Forrest McClendon leads an all-Philadelphia cast in Shakespeare’s timeless political thriller, brought to you by “the city’s top presenter of Shakespeare’s work.” (TheaterMania.com)
ANTONY AND CLEOPATRA
By William Shakespeare
Edited and Directed by Tarell Alvin McCraney
February 18 – March 23, 2014
In an exciting international collaboration with the Royal Shakespeare Company and GableStage, Miami, The Public welcomes back writer/director Tarell Alvin McCraney (The Brother/Sister Plays) as its new artist in residence with ANTONY & CLEOPATRA. At the fringes of a war-torn empire, a man and a woman have fallen desperately, passionately in love. But for a soldier set to enforce the imperial will and the queen of a people intent on throwing off the yoke of empire, there is no place for personal desire. McCraney creates a stripped down, radical new version of Shakespeare’s gripping story of romance set against a world of imperial politics and power play and transports us to 18th century, sun-soaked Saint-Domingue on the eve of revolution. RSC in America is presented in collaboration with The Ohio State University.
American Shakespeare Center
Now Until April 3, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats; country folk and lovers; and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.
American Shakespeare Center
Now Until April 5, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]In the bawdy, riotous tradition of all his city comedies, Ben Jonson’s Epicene explores love, sex, and trickery in Early Modern London. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. Take a suspiciously silent bride, all of Dauphine’s London cronies, and a deal that is simply too good to be true; and Morose, along with the audience, gets a wedding day he won’t soon forget.