Royal Shakespeare Company
16 May – 26 October, 2013
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10 December 2013 – 2 March 2014
Directed by Jonathan Munby
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JM Barrie’s classic tale of the boy who never grows up is adapted in a spectacular new version by Ella Hickson and directed by Jonathan Munby.
Royal Shakespeare Company
11 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Royal Shakespeare Company
19 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Chicago Shakespeare Festival
February 6 – March 23, 2014
Directed by: Gary Griffin
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Boasting one show-stopping song after another—like “Everything’s Coming Up Roses” and “Let Me Entertain You”—this classic musical is inspired by memoirs of the burlesque dancer Gypsy Rose Lee; and it marks Associate Artistic Director Gary Griffin’s continued exploration of the Sondheim canon. Tony Award® nominee Louise Pitre makes her Chicago Shakespeare debut as Rose, the most infamous of all stage mothers. Pitre’s career highlights include many critically acclaimed performances in the theater, on television and concert stages across North America and Europe. Gypsy, a jewel of the American musical theater, has been described by The New York Times critic Frank Rich as “Broadway’s own brassy, unlikely answer to King Lear.”
ANTONY AND CLEOPATRA
By William Shakespeare
Edited and Directed by Tarell Alvin McCraney
February 18 – March 23, 2014
In an exciting international collaboration with the Royal Shakespeare Company and GableStage, Miami, The Public welcomes back writer/director Tarell Alvin McCraney (The Brother/Sister Plays) as its new artist in residence with ANTONY & CLEOPATRA. At the fringes of a war-torn empire, a man and a woman have fallen desperately, passionately in love. But for a soldier set to enforce the imperial will and the queen of a people intent on throwing off the yoke of empire, there is no place for personal desire. McCraney creates a stripped down, radical new version of Shakespeare’s gripping story of romance set against a world of imperial politics and power play and transports us to 18th century, sun-soaked Saint-Domingue on the eve of revolution. RSC in America is presented in collaboration with The Ohio State University.