Royal Shakespeare Company
10 December 2013 – 2 March 2014
Directed by Jonathan Munby
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JM Barrie’s classic tale of the boy who never grows up is adapted in a spectacular new version by Ella Hickson and directed by Jonathan Munby.
Royal Shakespeare Company
11 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Royal Shakespeare Company
19 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Seattle Shakespeare Company
Jan. 8-Feb. 2, 2014
Directed by Rosa Joshi
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This lyrical beginning to the War of the Roses is among the most moving of all of Shakespeare’s histories. More poet than monarch, Richard II is ill-suited to the role that lineage and legacy demands of him. Surrounded by ambitious men who would prey on his vulnerabilities, Richard is toppled from the throne by his cunning and capable cousin, Henry. But in the loss of his worldly power, Richard makes an unexpected revelation far more important than any kingdom.
Abrons Arts Center
February 4, 2014 – February 23, 2014
Directed by Charles McMahon
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Hailed as a “wild rumpus of a show” by The Philadelphia Inquirer, Pig Iron Theatre Company’s raucous, spirited Twelfth Night breathes new life into the Bard’s classic.
With equal measures of absurdity and heart, the company fuses their distinctive physical performance style with Shakespeare’s text, creating an exhilarating version replete with practical jokes, gender confusion, and mistaken identity. This exuberant, unpredictable, award-winning production is definitely not your grandparent’s Shakespeare.
Southwest Shakespeare Company
By Bill Cain
Feb. 28 – March 22, 2014
Anita Farnsworth Theater
Mesa Arts Center
1 East Main Street, Mesa, AZ 85201
(480) 644 6500
In London, 1605, a down-and-out playwright called Shagspeare receives a royal commission to write a play promoting the government’s version of the Guy Fawkes’ Gunpowder Plot. As Shag navigates the dangerous course between writing a lie or losing his head, his devoted theatre troupe helps him negotiate each step along the way.