Royal Shakespeare Company
10 December 2013 – 2 March 2014
Directed by Jonathan Munby
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JM Barrie’s classic tale of the boy who never grows up is adapted in a spectacular new version by Ella Hickson and directed by Jonathan Munby.
Royal Shakespeare Company
11 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Royal Shakespeare Company
19 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Seattle Shakespeare Company
Jan. 8-Feb. 2, 2014
Directed by Rosa Joshi
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This lyrical beginning to the War of the Roses is among the most moving of all of Shakespeare’s histories. More poet than monarch, Richard II is ill-suited to the role that lineage and legacy demands of him. Surrounded by ambitious men who would prey on his vulnerabilities, Richard is toppled from the throne by his cunning and capable cousin, Henry. But in the loss of his worldly power, Richard makes an unexpected revelation far more important than any kingdom.
Folger Theatre
January 28 – March 9, 2013
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Exploring Shakespeare’s portrait of maniacal ambition and digging into the truth about this king’s real nature, Robert Richmond returns to the Folger to direct the celebrated history play.
For the first time in Folger history, the Elizabethan Theatre will be reconfigured to allow for a production “in the round”. For more information on how this affects you, please click here for more information on seating for Richard III.
Southwest Shakespeare Company
By Bill Cain
Feb. 28 – March 22, 2014
Anita Farnsworth Theater
Mesa Arts Center
1 East Main Street, Mesa, AZ 85201
(480) 644 6500
In London, 1605, a down-and-out playwright called Shagspeare receives a royal commission to write a play promoting the government’s version of the Guy Fawkes’ Gunpowder Plot. As Shag navigates the dangerous course between writing a lie or losing his head, his devoted theatre troupe helps him negotiate each step along the way.