Royal Shakespeare Company
10 December 2013 – 2 March 2014
Directed by Jonathan Munby
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JM Barrie’s classic tale of the boy who never grows up is adapted in a spectacular new version by Ella Hickson and directed by Jonathan Munby.
Royal Shakespeare Company
11 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
Royal Shakespeare Company
19 December 2013 – 29 March 2014
Directed by Jeremy Herrin
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Hilary Mantel’s Man Booker Prize Winning Novels, Wolf Hall and Bring Up the Bodies are adapted for the stage by Mike Poulton and directed by Jeremy Herrin.
American Shakespeare Center
Now Until April 3, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats; country folk and lovers; and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.
American Shakespeare Center
Now Until April 5, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]In the bawdy, riotous tradition of all his city comedies, Ben Jonson’s Epicene explores love, sex, and trickery in Early Modern London. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. Take a suspiciously silent bride, all of Dauphine’s London cronies, and a deal that is simply too good to be true; and Morose, along with the audience, gets a wedding day he won’t soon forget.
American Shakespeare Center
Now until April 6, 2014
[button url=”http://www.americanshakespearecenter.com/v.php?pg=3″ target=”blank”]Buy Tickets[/button]Disguised lovers, tricky servants, and well-meaning parents cross and double-cross one another along the canals of Venice in Carlo Goldoni’s slapstick filled, comic gem. The characters’ search for a happy ending depends entirely on the titular servant Truffaldino, who is constantly on the lookout for a decent meal. Truffaldino’s attempt to double his wages unravels with delicious mayhem in this joyous, 18thcentury lark.