American Shakespeare Center

Now Until April 3, 2014

To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats; country folk and lovers; and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.

American Shakespeare Center

Now Until April 5, 2014

In the bawdy, riotous tradition of all his city comedies, Ben Jonson’s Epicene explores love, sex, and trickery in Early Modern London. Urban playboy, Dauphine, wants his peaceand- quiet-loving Uncle Morose’s fortune and hatches an elaborate plan to get it. Take a suspiciously silent bride, all of Dauphine’s London cronies, and a deal that is simply too good to be true; and Morose, along with the audience, gets a wedding day he won’t soon forget.

American Shakespeare Center

Now until April 6, 2014

Disguised lovers, tricky servants, and well-meaning parents cross and double-cross one another along the canals of Venice in Carlo Goldoni’s slapstick filled, comic gem. The characters’ search for a happy ending depends entirely on the titular servant Truffaldino, who is constantly on the lookout for a decent meal. Truffaldino’s attempt to double his wages unravels with delicious mayhem in this joyous, 18thcentury lark.

American Shakespeare Center

Now Until April 4, 2014

After wealthy Athenian Timon spends all his money entertaining, supporting, and bailing out his friends, he anticipates their help in his time of need. When his “friends” turn him down one-by-one, Timon transforms from Shakespeare’s most liberal spendthrift into his most tight-fisted misanthrope. A perfect play for our turbulent financial times, Timon of Athens makes us question the meaning of friendship, generosity, and gratitude.

KING LEAR – Theater For A New Audience, Brooklyn, NY

By William Shakespeare
Direction: Arin Arbus
Featuring: Michael Pennington
Scenic Designer: Riccardo Hernandez
Costume Designer: Susan Hilferty
Lighting Designer: Marcus Doshi
Composer: Michael Attias

March 14 – May 4, 2014

Considered to be one of the greatest plays in the English language, King Lear tells the story of a savage familial power struggle that follows Lear’s misguided decision to apportion his kingdom before his death.

For Arin Arbus, the play’s taut intertwining of the political and the personal and its breathtaking power to distill an entire complex world into a story of two families is riveting. Moreover, she finds “its radical political assertions remarkable. Shakespeare challenges the very foundations of Western civilization, pointing out the absurdity of privilege, entitlement, social and economic hierarchies, and man’s assertion of his power over nature.”

This production is sponsored by Deloitte.

THE KILLER – Theater For A New Audience, Brooklyn, NC
By Eugène Ionesco
Newly Translated: Michael Feingold
Direction: Darko Tresnjak
Featuring Michael Shannon

May 17-June 29, 2014

A searing and darkly funny parable about violence and resistance, Ionesco’s The Killer premiered in Paris in 1959 and has become a modern classic of the Theatre of the Absurd. Berenger, Ionesco’s cheerful, well-meaning everyman, discovers a “radiant city” near his dismal urban home, a perpetually sunny, impeccably clean place full of marvelous architecture and delicious food. The one hitch: a serial murderer has been brazenly killing people there for so long that the authorities have given up trying to catch him.

Oscar nominee (Revolutionary Road) Michael Shannon plays Berenger. Our production will bring out the humor and taut film noir aura of this work, underscoring the cinematic allure of the murders, the futile chase, the bungled investigation and the climactic confrontation with the criminal. The exquisitely simple approach will spotlight powerful, precise acting and spare, sculptural design.