Oregon Shakespeare Festival
February 15 – November 3, 2013
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Sweet-tempered daddy’s girl Bianca can have her pick of suitors—but not until her sister, the acid-tongued Kate, can be married off. Rising to the challenge is rockabilly musician Petruchio, but can he match Kate jab for jab? A hilarious, delirious tangle of masquerades and misdirection plays out against a backdrop of beach boardwalks and rock ’n’ roll. And in the end, the surprising love story dares to ask what roles we play . . . and, underneath, who we really are.
This production of The Taming of the Shrew is part of
Shakespeare for a New Generation, a national theatre initiative
sponsored by the National Endowment for the Arts in cooperation
with Arts Midwest.
Audience Notes: Theatrical fog and strobe lights are used in this production.
Oregon Shakespeare Festival
February 21 – November 3, 2013
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King Lear is ready to turn his realm over to his three daughters. His plan is simple: Give the biggest piece to the daughter who loves him most. But honeyed words and hubris blind Lear to the true motives of those around him, plunging king and kingdom into a hell of treachery, madness and unspeakable acts—with consequences that reveal the worst and best in human nature.
The Tempest
- February 14 – November 2, 2014
- Angus Bowmer Theatre
- By William Shakespeare | Directed by Tony Taccone
Rough magic and brave new worlds
For 12 years, the exiled Duke Prospero has waited for this moment: Old enemies have sailed too close to his enchanted island, and a mighty storm has forced them ashore. Now it’s time to settle old scores and reclaim his former dukedom for his daughter, Miranda. Aided by supernatural powers, Prospero dispenses justice while overseeing the growing attraction between Miranda and the princely son of one of his foes. In Shakespeare’s romance, sorcery and love transmute vengeance into humility and humanity, making it possible for all to return to a world made new by the power of forgiveness.
This production of “The Tempest” is part of Shakespeare for a New Generation, a national theatre initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest.
The Comedy of Errors
- The Oregon Shakespeare Festival, Ashland, OR
- February 20 – November 2, 2014
- Thomas Theatre
- By William Shakespeare | Directed by Kent Gash
Double double trouble
Antipholus and his servant, Dromio, go looking for family they lost years ago. Traveling from the rural South, they journey to the big city and find themselves in the heart of the Harlem Renaissance. And surprise! Suddenly there are two identical Antipholi and two identical Dromios, which has everybody in town (including significant others) seeing double. To make matters worse, another family member is about to be executed for breaking local law. Laughs fly as the clock ticks in Shakespeare’s farce about the craziest family reunion ever.
Richard III
- June 3 – October 10, 2014
- Oregon Shakespeare Festival, Ashland, OR – Allen Elizabethan Theatre
- By William Shakespeare | Directed by James Bundy
Bad to the Bone
The king you love to hate returns. Richard III is the cunning royal reprobate so deformed in body and spirit that even his mother rues the day he was born. His path to England’s throne is murderous. He rules with a tyrant’s fist. He’s backstabbing and bloody. Yet he is so mesmerizing that we dare you to look away. Historically, Richard III may not have been such a villain, but where’s the fun in that? Shakespeare’s reworking of history is tragedy at its best—deep, rich and unapologetic.
Oregon Shakespeare Festival
June 5 – October 12, 2014
Directed by Sarah Rasmussen
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Is all really fair in love?
Young Proteus only has eyes for his hometown sweetheart, Julia. But on a trip to Milan, he gets one look at the lovely Silvia . . . and dumps Julia in a heartbeat. Two problems: Silvia is his best friend’s girl, and Julia won’t be dumped that easily. Stir in some bandits, an outraged father and a bad-mannered dog, and it’s friend versus friend in a wild tale of romantic rivals. This sumptuous production of Shakespeare’s early comedy—with twists that echo in his later plays—honors and mirrors Elizabethan tradition with an all-female cast.