Lantern Theater
February 6 – March 16, 2014
Directed by Charles McMahon
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Idealism, envy, and power politics collide as the Roman Republic reaches a crisis. Caesar’s political genius, military prowess, and overwhelming popular appeal make him the most powerful leader the Republic has ever known. But his popularity breeds suspicion among his rivals and some fear Caesar’s power will corrode the freedom of the State. Shakespeare’s vision of Rome is both epic and intimate, from powerful speeches in grand public squares to whispered conspiracies in back rooms and dark hallways. There in the shadows, unlikely alliances set up a chain of events that bring down the great Caesar and thrust Rome into a disastrous civil war. Tony Award nominee Forrest McClendon leads an all-Philadelphia cast in Shakespeare’s timeless political thriller, brought to you by “the city’s top presenter of Shakespeare’s work.” (TheaterMania.com)
ANTONY AND CLEOPATRA
By William Shakespeare
Edited and Directed by Tarell Alvin McCraney
February 18 – March 23, 2014
In an exciting international collaboration with the Royal Shakespeare Company and GableStage, Miami, The Public welcomes back writer/director Tarell Alvin McCraney (The Brother/Sister Plays) as its new artist in residence with ANTONY & CLEOPATRA. At the fringes of a war-torn empire, a man and a woman have fallen desperately, passionately in love. But for a soldier set to enforce the imperial will and the queen of a people intent on throwing off the yoke of empire, there is no place for personal desire. McCraney creates a stripped down, radical new version of Shakespeare’s gripping story of romance set against a world of imperial politics and power play and transports us to 18th century, sun-soaked Saint-Domingue on the eve of revolution. RSC in America is presented in collaboration with The Ohio State University.
Syracuse Shakespeare Festival
April 4 – April 14, 2014
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Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler. It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night. After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.