Calendar

Apr
1
Tue
Richard III, Scrawny Cat Theatre
Apr 1 @ 5:15 am – Apr 26 @ 6:15 am

Scrawny Cat Theatre

1st – 26th April 2014

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Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.

Who was he really? A dangerous tyrant or a dutiful king?

Who was the man found in the car park when all the stories are done?

Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.

Richard III, London, UK
Apr 1 @ 8:30 pm – Apr 26 @ 9:30 pm

Scrawny Cat Theatre

1st – 26th April 2014

[button url=”http://scrawnycat.co.uk/richard-iii/” target=”blank”]Buy Tickets[/button]

Notorious villain, child murderer, hated despot. Richard III was evil, or so Shakespeare told us. But history tells another tale.

Who was he really? A dangerous tyrant or a dutiful king?

Who was the man found in the car park when all the stories are done?

Scrawny Cat Theatre Company’s unique, site specific production of Richard III will explore just that. Down among the foundations of The Rose Bankside – the theatre Shakespeare began his career in – puppets, music and physical theatre will bring history to life and let one of England’s most debated figures finally have his say.

Apr
4
Fri
The Suitors/Commedia Double Bill – Syracuse Shakespeare Festival
Apr 4 @ 3:45 am – Apr 13 @ 4:45 am

Syracuse Shakespeare Festival

April 4 – April 14, 2014

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Our second plunge into 17th century French comedy gives us even more laughs than last year’s Molierean tickler.  It’s another comedy by a French icon, The Suitors, by Jean Racine, Judith Harris directing; one of the most hilarious French plays ever written, Racine’s only comedy (1688), tells of a judge named Nigaud who has lost his mind from overwork but is still possessed with the desire to go to court and try cases day and night.  After a brief intermission the second half of this double bill gives you, Commedia dell’Arte, Lynn Barbato directing; the roots of improvisation date back to 16th century Italy where “stock” character types mocked social conventions and they’ll be mocking unconventionally for your laughter and delight.