The Shakespeare Algorithm
By Alastair Gee for The New Yorker, 19 June 2015 In 1727, a writer and editor named Lewis Theobald was preparing to unveil “Double Falsehood,” a tragicomedy that he said was based on manuscripts of a lost play by Shakespeare. “The good old Master of the English Drama is by a kind of Miracle recall’d from his Grave, and given to […]


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