How Shakespeare’s great escape from the plague changed theatre
By James Shapiro for The Guardian, 24 September 2015 In late July 1606, in the midst of a theatrical season that included what may well be the finest group of new plays ever staged – Shakespeare’s King Lear and Macbeth, Ben Jonson’s Volpone, and Thomas Middleton’s The Revenger’s Tragedy– Shakespeare’s company, the King’s Men, lowered their flag at the Globe theatre and locked their playhouse doors. Plague had returned. […]
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